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Down and out backup singer and celebrity ex-husband Kasper is invited to compete in the Funhouse, an online ‘Big Brother’ style reality show. To rebrand his image and tarnished reputation, Kasper reluctantly accepts the offer. Together with 7 other C-list celebrities from around the globe he will compete for the prize of 5 million dollars. At first, the Funhouse is just as the name suggests, full of wild times, budding friendships, love connections and brewing rivalries. To everyone’s surprise, the fun quickly turns into misery when the first challenge leaves one of the contestants brutally murdered.
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The sound also has as much of a punch on theaudience's ears as the score does. This was Hooper's first forayinto the Dolby Surround Sound system, just before his biggestcommercial success with it, Poltergeist.The sound really kicks into effect though when Amy and her friendsfirst enter The Funhouse. All of the cracks of thunder and lightning,bursts of screams and echoing howls of laughter strike so hard thatyou believe that you're in this anomalous realm, especially when wecut to the POV shots of the teens in the cars. The laughter of theanimatronic dolls in particular can be thought of as symbolic, almostas if they're deliberately laughing at Amy and her friends'horrid misfortune. This just aids in giving TheFunhouse another degree of ominousambiance.
The Funhouse (novel)
He experiences premature ejaculation, but despite his request, Zena will not return her $100 fee. The Funhouse is a 1981 American slasher film directed by Tobe Hooper, written by Larry Block and starring Elizabeth Berridge, Kevin Conway, William Finley, Cooper Huckabee, Miles Chapin, Largo Woodruff, Wayne Doba, and Sylvia Miles. The film's plot concerns four teenagers who become trapped in a dark ride at a local carnival in Iowa and are stalked by a mentally disabled murderous carnie.

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FREDDY’S FUNHOUSE: Robert Englund’s ELM STREET Movie That Never Happened - Dread Central
FREDDY’S FUNHOUSE: Robert Englund’s ELM STREET Movie That Never Happened.
Posted: Thu, 19 Mar 2020 07:00:00 GMT [source]
Themonster himself, Gunther, is a character you can't dismiss whentalking about this movie. Frankenstein's monster is obviously theoriginal prototype for Gunther. Many would say that it's justbecause of his external appearance, but let's analyze this for amoment, shall we? First, it can be assumed that he was born from agenetic mutation, through the means of science, as his "brother",Tad, was in a glass jar on display in a hidden part of the sideshowtent, but you can argue otherwise. Second, he is able to make youswitch emotions about him in a flash, having several different layersto his character. And third, he has arough relationship between him and his "creator" (in this case,his father).
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But given how wildly the tone changes and how confused the messages are — one scene decries people’s appetites for fame and attention, while the next asks the viewer to have empathy for people with those same appetites —the film’s intended criticisms never land. As the game continues, every few days, one of the contestants is forced to participate in games and face a gruesome death when they lose. She kills Ximena, but then fails in the next round and is torn apart. During all of this, some of the contestants grow closer together, such as Kaspar and Lonnie, while others crack under the pressure. The FBI is also trying to find the location of the reality show.
Film Review: ‘The Funhouse Massacre’ - Variety
Film Review: ‘The Funhouse Massacre’.
Posted: Mon, 16 Nov 2015 08:00:00 GMT [source]
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The movie isn't an effective takedown of reality show stupidity, but Lee is certainly trying to make a difference with the endeavor. Funhouse has a clever idea, but this is the kind of movie that continually comes up just a bit short in every area. Funhouse wants to be seen as a clever take-down of violence and reality television but does not quite hit the mark in either area.
They have to struggle, fight and possibly kill in orderto escape from the web completely. The Funhouse is like anotherfantastic and unusual world to them, and it's all thanks to thewonderful production design and photography. Of course, the eight victims don’t know that the premise is quite so punishing when they first sign up for the show.
Still, Ula cries when she shows us her breasts, and her tears are meant to speak not only for her character, but her creators, whose pessimistic view of social media is less than convincing. Another character, in an earlier scene, is accused of crying “crocodile tears,” but Ula’s sobs are “more genuine,” according to sadistic gamemaster Nero (Jerome Velinsky). “People love authenticity,” he adds, boldly providing “Funhouse” with its epitaph. The teens see this, and Conrad realizes someone is watching after Richie's lighter falls on the floor from the ceiling he and the others were hiding in. Richie insists that he would have split the money with the others. Despite Liz wanting to return the money, Buzz knows it is too late since they are now in danger.
As Gru faces a new nemesis, Maxime Le Mal and his femme fatale girlfriend Valentina, Gru and the family are forced to go on the run, in this exciting new chapter of Minions mayhem from the biggest global animated franchise in history. With tickets only $1.75, plus taxes where applicable, and special dollar-off pricing on kid’s snack packs and any size popcorn and drink combos, it’s the perfect way for families and friends to kick back and make cool memories this summer. Easily one of Tobe Hooper's better films as it entertains and frightens without ever feeling the need to sink into debauchery or tawdry terror. They find the exit and Amy carries Joey out of the funhouse and into the morning light.
The several animatronic dolls(like the clown or the executioner) and sprung shock props (like theplastic skeleton or the spider) in The Funhouse always deliver a nicejump scare when it's appropriate. The whole meta-artificial feel ofThe Funhouse in itself is both enticing and eerie to the audience.And the dark and rich chromatic cinematography of these sets makesall of the bright colors, twinkling lights and gloomy shadows sovibrant and alive. With these visual weapons, Hooper transforms whatlooks to be an ordinary carnival into a macabre underworld of joy andfright. Much like the Sawyer house in TheTexas Chainsaw Massacre, theprotagonists become trapped in The Funhouse, almost as if it were aspider web.
For a film with such little nuance or grasp of its many lukewarm takes, its misogyny is the most infuriating part. In 1987, the BBFC passed the film for home media release with an 18 certificate, which was downgraded to a 15 certificate in 2007.[27] The film received a special edition Blu-ray disc in the United Kingdom on July 18, 2011, by Arrow Video. Funhouse is a 2019 horror film directed and written by Jason William Lee. The film stars Valter Skarsgård as Kaspar, a washed up reality TV star who is duped into taking part in a reality show where the losers are killed in brutal ways. That night, Amy, Liz, and their dates, Buzz and Ritchie, go to the carnival. Joey escapes from home and goes to the carnival as well, with the intent of running away with it.
The characters in the film were as typical as any horror film. There’s Richie, the geek type who decides it would be fun to stay in the funhouse all night and he dies for his lack of common sense. The film was momentarily banned in the UK and labeled as a ‘video nasty’. This was because the movie was mistaken for “The Fun House”, one of the countless alternate titles for The Last House on Dead End Street (1977). The films stars an incredibly young looking Elizabeth Berridge playing Amy, who’s got a date with a local gas station attendant named Buzz that her parental units are not too impressed with. They don’t think he fit’s the bill, and they don’t want her going to that disturbing traveling carnival that’s in town because of the two dead girls they found when the carnival came around last year.
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